I have always been envious of New Yorkers and their Metropolitan Opera House. Toronto’s Canadian Opera Company is planning to perform 7 operas next season (and that’s good). Meanwhile the Met in 2022-23 performed 22. With that many performances going throughout the year you could sometimes feast on four different operas in a weekend! And it’s not just quantity: the greatest performers in the world are appearing in those shows. I cannot be alone in my envy and admiration of it all and imagining it to be never ending era.

So I was somewhat shocked to read that we may be at the end of that era, according to this piece in The New York Times:

Ticket sales have been robust for some new productions, even of contemporary works. But revivals, less obviously newsworthy and less widely promoted, are no longer sure things — especially slightly off-the-beaten-path stuff like Mozart’s “Idomeneo” or Verdi’s “Don Carlo.”

And I was disturbed to read this:

In an attempt to make ends meet, the Met has raided its endowment and plans to put on 10 percent fewer performances next season, which will feature just 18 staged operas (six of them written in the past 30 years). The days of being America’s grand repertory company, of 20-plus titles a year, could be slowly entering the rearview mirror.

Besides less new stuff, it sounds like some of the old stuff is being put out to pasture:

So it was fitting that, last month, the Met said farewell to one of the shows that typified the era that’s ending: its “Aida” from the 1980s. The production was typical Met: hardly cheap but sturdy and flexible, into which you could toss singers with relatively little rehearsal. The company’s model has depended on a core of stagings of the standards like this — ones which could be mounted, and sell well, year after year. If there’s less of a year-after-year opera audience, though, the only solution may be to do less.

All signs point to the beginning of a decline of opera at the Met. Now perhaps this is a just a temporary decline brought on by the pandemic and our change of behaviors. But I fear it is not.

If you are in New York (or anywhere), make plans to go to an opera. Even if you know nothing about it, an evening at the Met is always magical.

(Photo Credit: Marty Sohl/Metropolitan Opera)