Someone made a reference to outsider art this week and it sent me researching some links on it. Like Dada, outsider art is one of the most interesting things about 20th century art, though of course it has no specific time period. It challenges everything about the art world, even as the art world tries to incorporate it.
If you don’t know much outsider art, here are some places you can start to learn more:
From there, Google as much as you can.
(Image of Jean Dubuffet via the Guggenheim)
Despite being burned too many times by Kickstarter projects, this one seems so worthwhile I feel I must promote it: Color Problems – A Book by Emily Noyes Vanderpoel by The Circadian Press with Sacred Bones — Kickstarter. It’s a great project to recreate a classic book, and it will be a boon to many people if it gets off the ground. Anyone interested in the visual arts should check it out and contribute some way if you can.
I hope it’s successful, that the project initiators have 1) their act together 2) actually release something tangible and 3) in a timely manner that is high quality. (Many of my recent Kickstarter projects have failed at 1, 2 and 3.)
Good luck to them.
First off, I think the quilts by Elizabeth Elliott are beautiful. Besides their beauty, I found it remarkable how she goes about making them. According to this piece, Quilts Made of Code by Elizabeth Elliott – Design Milk, the quilts are designed…
using a programming language called Processing. Through Processing, Elliott edits coding and generates random formations of geometric and traditional quilt block shapes. Afterward, she plays and edits the configuration until it becomes a quilt design she likes.
Here’s one more:
Go see the Design Milk article to see more and get more information.
Now, you might think: ugh, painting is alot of work. But as this piece shows, there’s some good paint jobs you can do in a weekend that still leaves you time to do other things.
For example, you can paint a door:
Or even just part of a wall, like the moulding:
The piece in Apartment Therapy is worth looking at to get ideas. If you’ve been tired of looking at the same old space and you don’t want to get new furnishings, a splash of paint can do the trick of improving the space.
Another option: do a painting (or buy a painting if shopping vs doing is your thing). This article has lots of examples, such as this:
And if you think: I suck at art, then read this piece in Hypoallergic about how making art, no matter how bad, can reduce stress.
Now head to the paint store and start your next project.
(See the articles for credits for the pictures.)
The wire tree sculptures by Clive Maddison are worth a look. Amazing transformation of simple wire into a complex sculpture. From Colossal. Link here: Dense Wire Tree Sculptures by Clive Maddison
Sure, to make a great film, great equipment helps. But as these links (and that photo of Zach Snyder shows), you can also make a good film using the latest smart phone technology. And not just Snyder: Gondry does it too. All the links below can help you get started making films using the technology in your pocket. Your films may not be as good as those, but the sooner you start making films with what you have on hand, the better your later films will be.
Easy! Just follow these three simple steps:
- Apply for one of the 250 permits the museum gives out each year.
- Bring your supplies and stand in front of the painting you want to copy. You can do this most days in the months of September through June from 9:30 a.m. to 1:30 p.m.
- Start painting.
Ok, it’s not quite that easy. Even if you can perfectly reproduce the work you stand before, the staff of the Louvre take steps to insure no one mistakes your work for the original, as this NYTimes article points out. For example, in this article, they made sure that the copyists used
canvases that were one-fifth smaller or larger than the original, and that the original artists’ signatures were not reproduced on the copies. Then (the staff) stamped the backs of the canvases with a Louvre seal, added (the staff’s) own signature and escorted (the copyists) from the museum.
It’s a fine article highlighting a great tradition of the Louvre: well worth reading.
(Photo by IVAN GUILBERT / COSMOS and linked to in the article)