A fine and detailed study on Mitchell’s great song from her masterpiece album, “Blue”: www.washingtonpost.com/arts-entertainment/2018/12/07/how-thoroughly-depressing-joni-mitchell-song-became-blue-christmas-classic/
My impression reading it was that there were no sad or melancholy Christmas songs before it, but “I’ll Be Home for Christmas” and “Blue Christmas” are two that immediately come to mind. And later on songs like “Last Christmas” have shown that the holidays can be sometimes difficult.
Read the piece though. Lots of good commentary by great singers who have covered it, as well as what it really means.
If you are Philip Glass you can. And likely anyone who has the capacity to make art can as well. It may take you longer, but you can do it. To see how he did it, see this piece: How Philip Glass Went From Driving Taxis to Composing – The Atlantic
I learned about Slow Radio here: I Listened To Slow Radio For A Week, And Here’s What Happened – HelloGiggles.
What is slow radio? According to that piece:
… it’s basically programming that moves at a very casual pace. It immerses you in sound to help you stay grounded in the present.
Is slow radio music, meditation, a catalog of sounds, or a podcast? The short answer: Yes. When you turn on slow radio, you won’t find any one thing in particular. One episode, you’ll get lost in ambient nature sounds. The next, you’ll hear slow-paced conversations about music. After that, you’ll take a trip through a soundscape on a bustling street in Japan.
Sound good? The BBC link to it is here.
Likely only for hardcore Beatle fans, this box set of the White Album promises to be the White Album on steroids. Rolling Stone has plenty of detail on it, via White Album Box Set: Exclusive Preview of Unheard Beatles Archives – Rolling Stone. It even has a description of one of my favorite odd pieces by McCartney:
12. “Can You Take Me Back?”
The snippet on Side Four that serves as an eerie transition into the abstract sound-collage chaos of “Revolution 9.” Paul toys with it for a couple of minutes, trying to flesh it out into a bit of country blues—“I ain’t happy here, my honey, are you happy here?”
Like “Her Majesty”, it’s a sketch of something, but inserted in such a way as to make the whole album something more original. It’s always haunted me.
This piece – A guide to Arvo Pärt’s music | Music | The Guardian – is a fine introduction to the music of Avro Pärt. This quote sums up his work well:
The success of Pärt’s work – the repertory of choral works he has composed over the last four decades, the instrumental works, even the new symphony he composed in 2008 – is, I think, much more than simple popular acclaim for a composer who uses some familiar chords. Pärt told me that what he wants his music to express is “love for every note”, and in turn, communicate the spiritual power that he sees as music’s essential purpose. Pärt is too modest to say that he has achieved that, but for the listeners who love his music, it’s an irrefutable truth.
There are lots of places to find his music, including YouTube. Here’s one of my favorite pieces, Spiegel im Spiegel
Enjoy that piece, and hopefully enjoy many hours listening to the music of Part.
Then you want to read these two really good pieces on why it is brutally tough to get tickets to an event without paying a fortune:
What it comes down to is a very limited supply and a very high demand. But that’s obvious. Read the pieces to see just how it really plays out.