Tag Archives: 2020s

An odd piece on SNL from GQ


This is an odd piece in GQ: The New Cast Reshaping SNL’s Next Decade . It states: “After a slew of exits, Saturday Night Live is reloading—with a squad of young comics that could form the nucleus of the show for years to come.”

It’s odd because yes, there have been a slew of exits, and yes there are new comics, but if you have been watching it recently, the comics dominating it now seem to be people like Heidi Gardner and Bowen Yang, and of course, the great Keenan Thompson. To see what I mean, check out this recap of a recent episode with Travis Kelce starring. Or watch tonight. They aren’t the new people, and they aren’t the older comics leaving.

The new comics are no doubt good, and they likely appealed more to the GQ readership than the people I named. Plus everyone wants to talk about what’s new. But I can see the current veterans being around and in the forefront when it comes to SNL celebrating half a century in 2 years from now.

A little perspective, please, GQ. 🙂

P.S. As an aside, I’ve been a fan of both GQ and SNL since the 70s. Good to see them both still around and being current.

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On Shrinking, and some thoughts on my limited return to TV

For the last 30 years or so I have not watched TV shows. I’ve watched movies at home and other things like news and sports, but nothing like the Sopranos or Breaking Bad or Family Guy or…well, you name it. I wrote about it here.

Lately I have been watching television again. A lot of that has to do with having someone great to watch it with, as well as someone who knows what I might like. Having more time at home during the pandemic also helped.

I started off by watching Ted Lasso, which I thought was superb. Then The Crown (loved the first two seasons mainly). Followed up by Slow Horses (also great). I began to think: hey, I might love TV again.

But then I watched Loot, and while I think Maya Rudolph is a genius, I could not watch much of that. Same with Hacks, even though, again, Jean Smith is amazing. Which brings me to Shrinking.

Like Loot and Hacks, I first started to really like it. But then I just started to feel fatigue from the strained writing. (Hey writers, writing nonstop about sex makes me think you’re a bunch of frat boys.) I also remembered the problem with situation comedy (situational dramedy?) and the need to create situations just to keep the story going. I see that often in Shrinking. (Frat boys: I know, let’s get the main character to sleep with his coworker! Hijinx will ensue!)

Like Loot and Hacks, having someone great (in this case, Harrison Ford) is a good draw and he makes me want to watch it. But like those two, there’s not much more that makes me want to watch it. (I mainly don’t care what happens to the other characters, which is different than Ted Lasso or Slow Horses, where I am invested in many of the characters). It’s pleasant enough, and occasionally funny enough. And kudos to them for getting a season two: clearly people like it.

It’s been fun watching TV, mainly because I have someone great to watch it with. (Thanks, Lisa!) But if I didn’t have that, I’d go back to my old ways. TV is different in some ways (e.g. no Apple TV in the 90s) but in a lot of ways, it’s hardly changed at all.