Tag: comedy

The odd third season of Ted Lasso, and other thoughts on TV, June 2023


I loved the series, Ted Lasso, and I was sad to see it end. The last season, it’s third, was a bit of a head scratcher though.

The first season was the one people really loved. But I felt that Jason Sudeikis wanted to make the Ted character more than the 3D Ned Flanders we saw in that season. That explained what happened with Ted in season 2 and to some degree in season 3. However I think people became frustrated with that: they wanted the Ted of season 1, even though the character became less of that as time went on.

Indeed in season 3 I just saw Ted fade away. He was barely in the last of the show. All the other character become the focal point and many of them had their own series within the series.

Of course this made sense in the end. Ted Lasso the series became like Ted Lasso the character. Just like the character, who believed the coach took a backseat to the players and the fans, the show became more about the other actors and less about Ted.

Will there be a season 4? I’m not sure. Like the character, Sudeikis doesn’t seem to have his heart in it. Maybe there could be a new season about the football club AFC Richmond. They certainly set it up that way. Let’s see.

For more on Ted Lasso, here’s a good write up in the Atlantic.
Here’s an absolutely cranky write up in The Guardian about how Ted Lasso, the nice comedy, became utterly dreadful television. As Ted might say, “Ouch”.

“Succession” also ended its series. So many people loved it and I can see why: it sounds really well done. As for me, I can’t watch shows featuring despicable characters. Succession was filled with them. Here two pieces, one in the Washington Post and one in the New York Times that align with my view of the show. But hey, to each their own.

Besides Ted Lasso, the other show the ended this month was “Somebody, Somewhere”. Unlike Ted, it has been renewed for a third season. Yay! Here is a piece on how it is the warmest comedy on TV. More praise for the show from the New Yorker. I can’t wait to see what the show does next.

 

 

 

 

On Shrinking, and some thoughts on my limited return to TV

For the last 30 years or so I have not watched TV shows. I’ve watched movies at home and other things like news and sports, but nothing like the Sopranos or Breaking Bad or Family Guy or…well, you name it. (I wrote about it here.)

Lately I have been watching television again. A lot of that has to do with having someone great to watch it with, as well as someone who knows what I might like. Having more time at home during the pandemic also helped.

I started off by watching Ted Lasso, which I thought was superb. Then The Crown (loved the first two seasons mainly). Followed up by Slow Horses (also great). I began to think: hey, I might love TV again.

But then I watched Loot, and while I think Maya Rudolph is a genius, I could not watch much of that. Same with Hacks, even though, again, Jean Smith is amazing. Which brings me to Shrinking.

Like Loot and Hacks, I first started to really like it. But then I just started to feel fatigue from the strained writing. (Hey writers, writing nonstop about sex makes me think you’re a bunch of frat boys.) I also remembered the problem with situation comedy (situational dramedy?) and the need to create situations just to keep the story going. I see that often in Shrinking. (Frat boys: I know, let’s get the main character to sleep with his coworker! Hijinx will ensue!)

Like Loot and Hacks, having someone great (in this case, Harrison Ford) is a good draw and he makes me want to watch it. But like those two, there’s not much more that makes me want to watch it. (I mainly don’t care what happens to the other characters, which is different than Ted Lasso or Slow Horses, where I am invested in many of the characters). It’s pleasant enough, and occasionally funny enough. And kudos to them for getting a season two: clearly people like it.

It’s been fun watching TV, mainly because I have someone great to watch it with. (Thanks, Lisa!) But if I didn’t have that, I’d go back to my old ways. TV is different in some ways (e.g. no Apple TV in the 90s) but in a lot of ways, it’s hardly changed at all.

Changes on SNL, new and old

I’ve been wondering when this would happen, but finally some of the bigger names from SNL are departing next year, including Kate McKinnon, Aidy Bryant and Kyle Pete Davidson, according to Deadline. I’ve been surprised both by how stable SNL has been over the last decade and how big the cast has grown. It started off with less than 10, now it’s over 20.

Having a big cast makes sense in some ways. It means there is a deep bench of talent ready and eager to step up. It also helps SNL deal with the lack of diversity problem they had all too recently.

I’ve been watching more SNL recently, ironically because of Twitter. I say ironically because social media used to freak Lorne and company out. Now they feed the whole show via twitter on the weekend. I get to skip the ads, and I get to watch the best bits. It’s ideal for me. My rule of thumb is if Kenan Thompson is in a sketch, it’s probably funny. That’s likely why he is sticking around.

That piece above got me to this piece: ‘Saturday Night Live’: Actors Who’ve Hosted The Show The Most – Photos – Deadline. Several things to note there. In the early years, it was often people associated with the show, like Chevy Chase (although that is also true with Tina Fey in the later years). Later it was big actors who were just really good at being funny. For awhile Steve Martin and Alec Baldwin were tied in appearances (there was even a bit where to win, Martin knocks out Baldwin, wraps him in a rug and throws him out the window!) Baldwin eventually ran away with it, not just for hosting, but by being a regular with his Trump appearances. (It probably helps too he lives in Manhattan.)

I have a sentimental weakness for SNL. It’s been on 47 seasons and I’ve been watching off and on since S1. I’m looking forward to it reaching S50 and beyond. Who knows will show up for that season. Tune in.

A list of films you might need right now is this: the best screwball comedy movies


Here’s a good list to take your mind off these pandemic times: Best Screwball Comedy Movies: List Ranked By Film Fans

And no, it’s not just old black and white movies, great as they are. There’s films as recent as 2019.

The weather is going to be rainy this week (at least in Toronto): take a break and have a laugh by watch one (or ten) of the films listed there.

Some basic thoughts on “Friends”: it’s roots and its relationship to screwball comedy


It’s the 25th anniversary of “Friends”, and a number of reviews I read talk about it looking backwards.This piece, though, does something better: it looks at where the series came up from.  Key quote to me was this:

Chandler, who is so indifferent about what he does that he is unable to pay his job even the small courtesy of hating it—Chandler, besuited and bedraggled, whose work in computer-something-or-other summons the amorphous anxieties of the coming digital age. … It is through Chandler, in the end, that Reality Bites finds its way into Friends’ otherwise chipper cosmology. His work is simply there, looming, draining, tautological. His laconic resentments of it invoke the precise strain of Gen Xed ennui the novelist Douglas Coupland had described earlier in the decade: the mistrust of institutions, the mistrust of professions, the mistrust of meaning itself.

You can see in the quote the tie to Douglas Coupland’s  book Generation X and the film Reality Bites. These are the roots of “Friends”. ‘Friends’ at 25: The Prescience of Chandler Bing’s Job – The Atlantic. That generation after the boomers needed a show, and many of them found it in “Friends”. Now people look back at it and many mock a show about six well dressed people living in an amazing apartment in NYC. But “Friends” then tried to make sense of becoming an adult, or “adulting”, to use a word that came along later. The fact that people have such fondness for it makes me think it resonated with them and it represents part of their lives.

I always liked “Friends”, but for a different reason. I am a fan of screwball comedy, and that series often went there. Seinfeld did absurdist comedy well, but I loved that this series did a comedic style I loved so much. Watch some episodes of “Friends” and then watch a classic screwball comedy like “Bringing Up Baby” or “His Girl Friday” and you will see the similarities.

All comedy series go pear shaped after a time, and the things that made it originally great fades. For a time “Friends” was one of the best comedies on TV, and it was great then because of the form of comedy it aspired to and because of the way it represented the time it was rooted in.

Two good interviews with Jerry Seinfeld

These two interviews appeared in the New York Times in October and August and I was impressed by both of them, especially the first one below:

Seinfeld is smart and insightful and professional. He knows comedy and stand-up well and he’s thought a lot about it.