Tag Archives: SF

A reminder of how great WiReD magazine was, and how often wrong it was….

A reminder of how great WiReD magazine was — and how often it was wrong — can be found in this great piece by Dave Karpf: A WIRED compendium.

I bought the first copy of WiReD when it came out, and was a buyer and collector for some time. It was everything I loved in a magazine: smart and stylish and full of ideas.

WiReD was a perfect title for it too. The publication was about how the world was becoming interconnected through the rapid build out of the Internet, but it was also about how our brains were changing as a result of it. It covered both of those areas well.

Dave’s piece also covers some of my favorite things it got wrong, from the promise of PUSH technology (companies HATED Pointcast for flooding their networks and soon worked to shut that it down) to digitally encoded smell (right?? yeah, no) to a cover on how Second Life was the future (hey, I thought that too).

WiReD got plenty right, too. But more than right or wrong, it captured the zeitgeist of the 90s and early 2000s and generally provided insights into how information technology was affecting us.

If you have only read the magazine recently, you might not get what the fuss was all about it. Check out that summary from Dave Karpf: you will get a history lesson and hopefully a glimpse of WiReD and why it was so great.

(For more on it, I also recommend Wikipedia)

 

 

 

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A fascinating side by side comparison of Blade Runner 2049 with the original

Can be seen in this video:

I knew there were many visual parallels, but I didn’t catch just how many there were until I watched that video.

Found via this link: Take a closer look at how Blade Runner 2049 subtly updated its predecessor

Jean-Luc Mélenchon, a candidate right out of a Philip K Dick Novel

Melenchon hologram
In France, politician Jean-Luc Mélenchon plans to be in seven places at once using  something similar to a hologram. According to Le Parisien:

Strictly speaking, these are not holograms. Jean-Luc Mélenchon will be present in seven different places thanks to … an optical illusion discovered for the first time half a century ago by an Italian physicist

Virtual Mélenchon reminds me of the politician Yance in Philip K Dick’s novel, The Penultimate Truth. We may not be far off where we get virtual candidate that look like people but behind the scenes we have AI or some combination of AI and people.

For more on the technology, see the article in Le Parisien. For more on Dick’s novel, see Wikipedia. Read up now: I think we can expect to see more of this technology in use soon.

A good review of Amazon’s The Man in the High Castle. And a good critique of what works based on the Philip K. Dick get wrong.

That review,here, is worth reading for anyone watching or interesting in watching the Amazon Prime series.

Anyone interested in works based on the novels of Dick should focus on this key quote (I added the emphasis):

Pop culture has exalted many of Dick’s wilder stories and novels. Since the release of Blade Runner (1982, based on the short novel Do Androids Dream of Electric Sheep?) and Total Recall (1990, based on the story “We Can Remember It for You Wholesale”), his pet motifs of false realities and artificial identities have captivated filmmakers. …Along the way to becoming popcorn entertainments, Dick’s motifs have shed a lot of their existential baggage. Today, the revelation that capsizes everything a movie character once believed about himself and his world is just another mind-blowing plot twist. No sooner have we gasped Whoa! than the film has moved on to the next chase scene, martial-arts display, or explosion. Nobody sits around questioning their own reality or humanity the way Dick’s protagonists do. Those questions, however, were the whole point of Dick’s fiction

That’s a great critique of even the better works based on Dick, like Blade Runner. Whenever you see or plan to see a film or TV series based on one of his works, it’s better if you can read the novel first. Doing so will add much more complexity and richness to whatever you are about to see.