Amy In The Sun: The Other (Caribbean) Side of Amy Winehouse – LargeUp

Interesting speculation on where Amy Winehouse’s musical direction would have gone if she hadn’t died so young: Amy In The Sun: The Other (Caribbean) Side of Amy Winehouse via LargeUp. That post has a lot of links to Amy’s performances on YouTube, so if you are the mood for something other than Christmas music, click on that link and enjoy.

Friday night music: Banks doing the Tiny Desk Concert for NPR

I’ve tweeted this before, but here it is again: Banks: Tiny Desk Concert : NPR.

I think the Tiny Desk Concerts are good, and Banks does a good job here of simplifying her sound without making it uninteresting.

Search around for other such concerts. Lots of musicians have done these gigs, and many of them are good if not great.

Some thoughts on the lost guitar solo from Here Comes The Sun

This post is fantastic:  Here Comes The Sun: The Lost Guitar Solo by George Harrison, from the blog Open Culture.

Not only do you get to hear the lost guitar solo, but you get to do so with Dhani Harrison (George’s son), George Martin and Giles Martin (the son of the great producer)

Even better, you get a sense of what George Martin was working with at the time, and you get a sense, at least I did, of how Martin thinks about what he is hearing.

A must for Beatles fan and anyone who appreciates popular music and how it is made.

Billy Bragg and David Byrne on streaming and music

David Byrne kicked off the discussion on music streaming with a long and thoughtful post. Billy Bragg picked up on that and replied with an equally long and thoughtput post, fround here (Streaming Debate: Billy Bragg’s Response To Byrne’s ‘How Will The Wolf Survive…’ — MusicTank.). I highly encourage anyone who is interested in music, the music business, or music and IT to read both of these.

If you go to the Billy Bragg link, you’ll also get to see a link to David Byrne.

 

Some thoughts on Miley Cyrus, Show Business and performers of her age

Having a daughter a bit younger than Miley Cyrus, I have followed her career and that of many of her peers whether I wanted to or not. I even chaperoned my daughter to a Jonas Brothers/Miley Cyrus/Hannah Montana concert! So I have always been interested in what happened to them, if only because they have been part of her life and part of my life indirectly. Most of them shone on as stars for awhile and then faded (e.g,. Hillary Duff, some of High School musical gang). Some of them have crashed and burned (e.g., Lindsay Lohan, Amanda Bynes). And some of them seem to be in the process of transitioning from kid stars to adult actors and performers (e.g. Miranda Cosgrove, Vanessa Hudgens). And some have been all over the map (e.g., Brittany Spears, who crashed and burned but now seems to be on the uptake, career wise).

Ideally all of them, because of talent, would mature and become successful adult performers (e.g., Jodie Foster, Joseph Gordon Levitt, Justin Timberlake). But that transition is difficult. First, because alot of them are in the Disney/Nickelodeon machine, and while they are in it, they are well managed and groomed, but once they are out of it, they are on their own. Unlike some of the other performers, Cyrus has an independent support network, and that seems to have kicked into high gear with the timing of the VHS performance, her video release, and the Rolling Stone cover coming one after another.

For those upset at how over the top it all seems to be, recall that she had a previous attempt at transitioning to performing as an adult and it was mocked and dismissed. She and the people she works with likely thought they would have to do something stronger to succeed. Hence the recent performances and appearances.

She does seem to be succeeding too, if you measure success by gaining and holding attention. That has always been the measure of success for American entertainers, and by those standards, she is succeeding. It would be best if she could gain that attention by the quality of her work, not by subverting her previously manufactured image of the stereotyped good little girl with the new stereotype bad girl, but I have seen her work, and it was never that good. For example, her show, much like the Jonas Brothers that came before her and many others like that, consisted of lots of costumes, dancing with other dancers, and generally doing a lip synced/over dubbed musical show while a bunch of middle aged dudes all dressed in black pants and T shirts played all the music in the background. (I imagine the star did play and sing, but the session type musicians in the background did all the heavy lifting, musically speaking, while Cyrus and the Jonas Brothers entertained the crowd.) That doesn’t mean she can’t sing and dance: she can dance, and at the end of the show, she performed a solo number, as if to show the audience that yes, I am real.

Did you know that Miranda Cosgrove recently did a series of rock n roll type concerts? No, you wouldn’t, because Cosgrove’s were pretty standard and very tame in comparison to Cyrus. She is comparable with Cyrus musically, and she has a ton of fans, who filled her shows. But unless there is a hidden talent she is holding back until a later time, she is never going to get on the cover of Rolling Stone or have people talking because of her music, fan base or not. To get that attention, you need to be either really good or really outrageous, or both.

Justin Bieber seems to get this. Or at least his handlers do. He should be fading now, but he manages to stay in the news with his behavoir these days. It too is a bad boy behavoir, though because of our patriarchial society, his bad boy behavoir comes across in a different way. It’s not bad boy behavoir compared to Keith Moon or Ozzie Osborne, but Bieber doesn’t have to be that bad to get attention. The same with Cyrus: she’s not Courtney Love nor Janis Joplin, but she doesn’t have to be.

A Show Business career, like alot of lucrative careers in the U.S., is a brutal business. Cyrus seems to know this and seems determined to succeed in it by whatever it takes to succeed. Mick Jagger once said that Madonna was a thimbleful of talent in an ocean of ambition. Like many quips, this is unfair and insightful. What is true is that Madonna would do what it took to stay on top, and has managed to do it for a crazy long time. That is her true talent. It looks like Cyrus has the same ambition, and she may decide to follow the same path to achieve a similar level of success.

The latest Rolling Stone has her interview here: Miley Cyrus on the Cover of Rolling Stone | Music News | Rolling Stone. I breezed over it, but she came across as pretty savvy here, which is not surprising, after I thought about it. She’s been in the business for along time, and she’s been a star for along time. Right now she is outraging people with her calculated behavoir, and the interview shows her dealing with some of the fallout for that. She is a professional, and that comes across in it. In a year from now, if a different set of actions will keep her in the news, I imagine she will tack in that direction.

It is possible she will crash and burn at some point. (The same could be said for Bieber.) I suspect she will not, and she will transform herself many more times over the course of the next few decades. Like Madonna, I suspect we will be listening to Cyrus for years to come, whether you like it or not. And like Madonna, that will be her true talent.

A brief and anecdotal history of 19th century American music with the Carolina Chocolate Drops

I came across this interview with the Carolina Chocolate Drops (Instrument Interview: Bones & Banjo via the Sleepover Shows) last night and I thought that it was a great lecture/discussion on the history of one segment of early American musical history. It’s only a 10 minute talk followed by a 2 minute song, but it is worth your time.

See

Friday Night Music: the Carolina Chocolate Drops with the Chieftains (no less)

The Carolina Chocolate Drops are great. The Chieftains are great. Put ’em together, and you have something really great. Here they are burning through Pretty Little Girl on Later with Jools Holland.

When I first heard the Carolina Chocolate Drops, I thought they sounded Celtic as much as anything. Seeing them pair up with the Chieftains is a natural fit. (They’re from the U.S. and their music is Carolina folk.) More on them here and from their web site here, which has lots of good stuff, including many live performances. Check out “Cornbread and Butterbeans”: it’s infectiously good.

The incredible Audiotool

I came across the audiotool web site serendipitously today. I’m delighted I did, for it’s an incredible web site. What Audiotool does is allow you to virtually play with a number of classic electronic devices like 909s and 303s from to make your own electronic music, well, like this: August 27 by blm849 – Audiotool. In a very short time, I learned how to wire up the configuration below to make this piece of music. It looks complicated, but it was actually pretty simple. And alot of fun. With practice and inspiration, I think anyone could make some really interesting music with this site. What’s even better, the music can be downloaded by anyone as an MP3 file, so you can take it and play it on your favourite portable music device.

Once you would have had to make a big investment in equipment to do this. Now you just need a browser. Incredible.

Great new music on BBC Radio 1 Live Lounge

If you like great new music, go to YouTube and search for “BBC Radio 1 Live Lounge” and you will get everything from the Arctic Monkeys to the Jonas Brothers and everything in between. It’s rough, it’s eclectic, and it’s great. There’s too much to cover in one blog post, but here’s a sample: the superb Noisettes covering The Killers “When We Were Young”.

YouTube – bbc radio 1 live lounge

Late night music with the Plain White T’s – Hey There Delilah

I like how the director of this video uses split screen really effectively to make what could be something very static — an acoustic guitar player — something very dynamic. It also gives it a nice 1960s vibe, though it feels new. I wonder if the musician likes Paul Simon? Anyway I like this song, and I really like this video.

YouTube – Plain White T’s – Hey There Delilah

The great Roger Ridley, Playing for Change

Roger Ridley, a great performer, performs Bring It On Home, a great song,  as well as anyone. Take a listen….

There are many mediocre performers in the world who get far too much attention. And there are great performers like Roger Ridley, performers who, when you hear them, you think: man, more people ought to hear this person! That’s what I thought when I heard him. I hope you feel the same way.

Thanks to Playing for Change for bringing Roger to our attention. You should check them out, too.

Superb guitar work on Born Under Punches Live with Talking Heads and Adrien Belew

I’ve always loved this song, but I hadn’t seen ths live version before. It has superb guitar playing from many of the players on stage, but Adrien Belew (from King Crimson) does some amazing things with feedback at the beginning. Well worth a look and a listen.

YouTube – Talking Heads – Live in Rome 1980 – 10 Born Under Punches

The Metropolitan Opera innovates again


It is ironic that an opera house seems more innovative than many in the pop recording industry: “then” is more advanced than “now”. The latest thing they are going to do is Offer Performances on the Web. According to the NYTimes.com:

‘In the Metropolitan Opera’s relentless quest to exploit all media, the company next Wednesday will start making many video and audio broadcasts available for Internet streaming on demand.

Met Player, as the service is called, will be available through the Met’s Web site, metopera.org. At its inauguration, on the 125th anniversary of the Met’s first show, users will be able to choose from 13 high-definition video performances, 37 standard video recordings and 120 audio broadcasts dating to 1937. The company said it planned to add performances regularly, drawing on its vast historical archives and its continuing high-definition broadcasts.’

The player looks good, but the proof will be in the sound. The Met has a sterling reputation; I am optimistic it will be good.

From the ridiculous to the sublime, musically, and places in between

Checking out music on the Transbuddha web site the other night, I came across this!

Yes, not only is Jesus your friend, apparently he is also a Mountie. Okie-dokie, then. That’s the ridiculous. (And likely a comedy sketch, but still….)

As I was listening to it, I thought, hmmm…that sounds like Ranking Full Stop from the English Beat. Of course it’s also on YouTube.

While there are some differences, it is very similar! So, first song, very bad. But it got me listening to something better. And checking out that, I started thinking of their good cover of the classic Smokey Robinson and the Miracles song, Tears of a Clown. So I looked it up, and I came across this:

So, from the ridiculous to the sublime in a few minutes.

As a aside, I thought: man, the Miracles were a pretty subdued group of dancers. I did a check on the Pips, the Temptations and even the Jackson 5, and while all those groups were looser than Smokey’s backups, they were still more focused on singing and not so much on (lipsynching and) dancing.

I also think Justin Timberlake stole this look for his “Lovestoned/I think she knows” video. You can see it here: