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On restaurants (deeply) loved and lost: Grano’s

Grano’s was not just a restaurant to me. For much of my adult life it was my second home. When I walked in, I felt like I lived there. Like I belonged there.

Starting from the late 80s (when I was in my 20s) until just before the pandemic, it was the restaurant I frequented the most. I celebrated some of my most cherished moments there. I ate often by myself there too. When I did not know where to go, I went to Grano’s.

When I first came to Toronto in mid 80s, I started to learn how to eat proper Italian food in places like Masianello’s downtown in Little Italy. Toronto is a great Italian city, and to live in such a place, you should learn to eat proper Italian food. I did, and I loved it. This love led me uptown to Grano’s, which was then a simple one room place. Over the years it expanded in width and depth, filling up with its maximalist Italian style and food as well as patrons wanting to devour it all. I was always one of those people.

Grano’s was as much a feast for the eyes as it was for the belly. Bright Mediterranean colored walls, prints of classic artwork, vintage ads and plenty of pieces from the Spoleto festivals could be seen everywhere. It paid to walk around slowly (or to sit quietly) and take it all in. It never got tiring to behold.

If you wanted — though why would you? — you could rush in and buy some bread or some Italian delicacies and go home. You could stay briefly and have a glass of Italian white and some grilled calamari (one of my favorites). Best of all, you could invite dozens of friends and loved ones and have the servers bring you bottles of Italian wines and plates and plates of antipasti and pasta that was always on hand for you and your guests. Whatever you needed, Grano’s would provide. And when it was finally time to end the meal, you could savour a plate of biscotti and a perfect cappuccino before you went home happy.

As you can see, Grano’s the place was great. But what made it especially great to me was Roberto Martella, the host. No matter when I came, he always treated me like I was his favorite customer. No doubt he made everyone feel that way, but it was still appreciated by me. I even took Italian classes there once, and years afterwards he would speak to me a little in Italian and I would try my best to reply back with the little I knew.

After going there for decades, I had hoped Grano’s would last as long as I would. But sadly Roberto had a stroke, and the restaurant limped along without him for awhile before closing in 2018. You can still see the remnants of Grano’s today in 2022, though it’s been divided up into new places that lack what I loved about it.

It’s sad to lose your home, especially one you loved for so long. That’s how I felt, and continue to feel, about Grano’s. I live nearby to where it was, and I often have a pang to wander over for a plate with the ease I used to. I don’t know if I ever will get over that feeling. Sure, I can get great wine and bread in others places, but “non si vive di solo pane”. Mille grazie, Roberto. Mille grazie, Grano’s. Thank you for everything.

P.S. For lots of good photos of it when it was at its best, see here: Foto. The photos I have linked here are from there.

This is their old home page on weebly. It has a short history of Grano’s, here: 1986. 

There’s only a few images, but this is their IG account.

Finally two pieces on them: The culinary influence of midtown’s Roberto Martella – Streets Of Toronto, contains a good history. This is also good: The fall and rise of Roberto Martella, Toronto’s ‘vibrant’ don of dialogue in The Globe and Mail.

 

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On restaurants loved and lost: Brasserie in midtown Manhattan

It was fairly nondescript from the outside: a simple awning, some signs stating its name, and a revolving door. You might not think much of it walking along East 53rd.

Once you walked in, though, your impression immediately changed. Especially if you were there early in the morning, the way I often was in the 80s and 90s. You would be at the top of the stairs looking over the whole place, and it was packed with people there for power breakfasts. The sound of people talking just washed over you, and if you managed to find a seat, you would hear what was on the mind of Manhattan men and women of that era.

It could be intimidating, especially walking down those stairs into the middle of it all. Everyone seemed so confident, so polished, so put together. The fact Mike Bloomberg would often dine here to start his day gives you an idea of what it was like. While I felt shy on my first visit,  I quickly found the place thrilling and energizing. No doubt the other diners did too.

Among other things, it was a convenient place to go. I would be in the city for business and the offices we worked in and the hotels we stayed in were nearby. I could wander over to the Brasserie and have delicious croissants or a proper egg and sausage breakfast before I went to work. The coffee and orange juice? Also great. As was the service.  Convenient yes, but excellent too.

I don’t ever recall it changing that much over the years, which is one of the things about it that appealed to me. It gave me that constant connection to midtown Manhattan over the decades. It was my spot. After a long period of not visiting, I went back to NYC around 2018 and I wanted to hit it up, only to discover it had closed. Sad.

I’m glad I got to go all those years. If you visit a city often, I hope you can find such a place that allows you to fit in and belong and be part of something. It won’t be Brasserie, but I hope you find the next best thing.

For more on it, see this piece in Eater on it’s closing. Looks like they went out with a bang. Nice. More on it, here. (Images from those two places.) Finally this piece is in Japanese but you can get Google to translate it and there are some good images of Brasserie in it too. One thing I like about the Japanese post is you can see some of the food but you can also get a sense for what the stairs were like.

On restaurants loved and lost: Mike’s Lunch in Glace Bay

It doesn’t look like much. Only that Teem sign on the right tells you that this is the location of the famous Mike’s Lunch of Glace Bay. It had a good run of 109 years in various locations in my hometown before closing in 2019.  It was one of my favorite restaurants in the whole world, and it was the first place I went and dined by myself as a young man.

Back when I was young, it was located on Commercial Street in a little galley type restaurant. It had a counter in the middle where you ate, while pinball machines lined the walls behind you and the cooking was done in front of you. In the summer I would sit next to the open door and look out at the beautiful house across the street (the only house left on Commercial Street). I can remember the sunshine and the warmth and the joy of sitting there while I waited for my food. While many diners had the famous fish and chips, my meal of choice was the Club Sandwich. Toasty bread and toothpicks held together chunks of turkey, crispy bacon, lettuce and mayo. Mine was completed with hot french fries coated with gravy and ketchup and accompanied by an ice cold Coca-Cola. To this day it is still one of the best meals I ever had.

Years later Mike’s Lunch moved to a nicer space in the Sterling. The pinball machines never made the transition, but it still had a counter. It also had nice tables and booths and friendly waitresses. I never failed to go any time I visited Glace Bay, often more than once a visit. I don’t know how, but no matter how long I had been away, when I returned they always remembered me. And the club sandwiches were as good when I was 50 as they were when I was 15. No wonder we all loved it.

I miss Glace Bay for many reasons: the Chip Wagon, Venice Pizzeria, and Colette’s, to name a few great places. But of all the places I miss, I miss Mike’s Lunch the most. Thank you Mike’s Lunch for all the great meals and great times I’ve had there. I have been to many great restaurants over the years, but if I could walk through the doors of any one of them one last time, it would be yours.

Bonus: footage of Commercial St in 1988. The town changed over time, but this is how I remember it growing up. By this point Mike’s Lunch had already moved to the Sterling. Teddy’s (or as this video called it, The Greasy Spoon, and a similar restaurant to Mike’s) was still there.

On places loved and lost: the Canada Square Cinema


I’m sad to see that the pandemic has claimed another victim: the Canada Square Cinema at Yonge and Eglinton. I’ve been going there since it opened in the 80s, and especially so since I moved into the neighborhood in this century.

It’s always been a lovely theatre. One thing I loved about it was how little it changed over the years. Those gray panels on the wall, that red carpet, the cup holders from eye weekly: it was like going into a time machine every time I went there. While it was frozen in time, it was well kept up. It showed good movies. (The last film I saw there was “Parasite”.) It had decent crowds. It was great to see films that had been out for awhile but missed. (It was almost like a rep theatre in that way).

Still, with so many theatres closing over the years, I was expecting it to close too. Instead it was recently upgraded. I thought: great! I will have the luxury of having two big theatre complexes in my area. Then the pandemic hit.

I’m sad to see it go, but happy for all the good movies and good times I had going to it. Go see some movies in theatres as soon as you can. We still need that experience, and we need those theatres. May the theatres that you love last for a long time.

P.S. For more on the theatre, go see BlogTO’s write up, here.

 

On restaurants loved and lost: Cafe Cancan


I can’t remember how I came across Cafe Cancan on Harbord Street, Toronto, but once I did, I couldn’t wait to go back. I love French food, and their menu was full on French. They had classic dishes, but there were also innovative ways of cooking that felt both new and traditional at the same time. I wanted it all.

One of the things great about Cancan was their prix fixe. It was reasonably priced and extensive. You’d order and sit back while the servers brought out dish after dish of delicious food. Even better were all the extras. You might believe you would get five dishes with the prix fixe and you would end up with 7 or 8. Plus you would get an amuse bouche when you sat down and once while settled in at the bar they brought me a little additional sweet at the end of the meal. I felt pampered everytime.

The restaurant itself was a gem. The tables were fine, but it was equally fun to sit at the bar. What was especially great was sitting on the back patio during the warmer months. Whenever I was sitting there I wanted to stay all night.

The wine was always good, and they had Tawse rose on tap for cheap. Oysters were plentiful too, but even here they would come up with innovative mignonettes to make them extra special.

Sadly the pandemic hit it hard, as it hit other restaurants. In the first summer they opened but the menu was very different. Now they are gone.

It seems like a new place that is going to open that is related to Piano Piano. I am sure it is going to be good. But I am going to really miss that lovely pastel French restaurant on Harbord. I had so many lovely meals with lovely people on one of my favorite streets of this city of mine.

(Images from the articles in BlogTo linked to here).

On restaurants loved and lost: Florent (and Odeon)

Here are a number of pieces on two great downtown Manhattan restaurants: Florent and Odeon. Florent has been closed for a number of years. But Odeon lives on, happily. What I love about both restaurants is how the embodied that era and how they both set a stage. You can see that in the pieces below about them. Florent in particular was a radical place that was like no other, right down to their menus and promotional material (like the one above).

When they both opened the lower part of Manhattan had nothing like them. There was no gentrification down there like there is now. They were an oasis of good food, good design, and good times.

To really get a sense of that, read Restaurant Florent Takes Its Final Bows – The New York Times.

For more on the design ideas around Florent, see: Restaurant Florent | Restaurant Design in New York, NY — Memo Productions

A short history of the space Florent occupied is written about here: What remains of a Gansevoort Street restaurant | Ephemeral New York

Lastly, here is it’s Wikipedia write-up: Florent (restaurant). It’s a good source of other links on the place.

Before I forget, this is a fun piece on The Odeon: A Retro Haven That Defined New York 1980s Nightlife | Vanity Fair.

Also worth reading. Now go and eat at The Odeon.

 

On restaurants loved and lost: Harvey’s on Bloor Street in Toronto

Can you be abandoned by a restaurant? If it is me, it’s the Harvey’s that was on Bloor in the 1980s.  I used to go there and get my favourite, a charbroiled chicken sandwich with mayo and pickle on the side. (Still my favourite thing to get at Harvey’s). I loved sitting in the front window and look over U of T’s Varsity Field.  When I was in my 20s I used to joke with my gf that when I was in my 60s I would still be coming here and eating the same sandwich and sitting in the same spot.

Times change and streets change, especially in Toronto. That area is now filled with condos. It’s nice and I still like the area, but I miss that Harvey’s. I’m much closer to my 60s than my 20s and I would love to be able to fulfill the need. Guess I will have to go to Okonomi House instead. 🙂

(Image via a link to this good piece on the History of Toronto’s Swiss Chalet (also in the image above, from the blog Historic Toronto)

P.S. Okonomi House is the same as it was in the 1980s. I hope it never closes. Click on the link and order from it if you can.

On restaurants loved and lost: Brothers

Brothers Restaurant Toronto

It’s Valentine’s Day, a good day to write a love letter to one of my favorite restaurants of all time, Brothers.

Brothers is a restaurant that should not have worked. Crowded between the entrance of the Bay Street subway and a downtown mall, there was barely room for anyone. One table in the window, a midsized bar, and a few tables in the back. Amongst all that a kitchen the size of a big closet nestled in a corner. It should not have worked, but in the short time it was around, it worked wonderfully.

You realized it was special when you first walked in, and I walked in often. I worked nearby, and whenever I needed a treat, I would wander over and sit at the bar and have lunch. I went so often that Chris who ran the front of place would warmly greet me after a time. (Later, as the place became extremely popular, Chris would sadly greet me after a time to tell me there was no room. It got so bad — for me, not them —  that I ended up scheduling lunch at 2ish just in the hopes of  getting a spot.)

While the service, atmosphere, and location were all great, what had me come back again and again was the food. The food was superb. I would take the hearty bread they offered and wipe down the plate to get every bit of it. The cooking was precise, simple and stellar. I loved to get something like sausage served with beans or vegetables and accompanied by a well chosen sauce. I’d take my time to slowly eat it, trying to appreciate and understand why it was so good. It was as much a cerebral as it was a sensory experience.

I would ask Chris about their tomato sauce or their green sauce, and he would tell me how they experimented with the amount of dairy or herb or whatever ingredient was in it to make the dish just right. And just right it was.

Most of the time I would get their sausage dish. The meat would change in the sausage, but it was always expertly balanced with seasoning. At first they may have been traditionally shaped, but later they were puck shaped. I loved that, and I loved them.

Sausage was not the only thing they excelled at. Pastas were always handmade, cooked to just the right texture, then served with a sauce better than any pasta sauce I ever had. Carpaccio was thin slices of whatever was appropriate for the season and accompanied with a light, lively dressing. The beef carpaccio was one of my favorite. They once said they could teach anyone to make it, but I doubt that. Fish, salad, dessert: whatever they made, they made well, listed it on their minimal menus, and I was happy and lucky to have it.

Brothers wasn’t around long, and in the time it was around, it lived three lives. The first was before the New York Times wrote about it, the second was after that article, and the third was the pandemic. Before the Times article, it was not too hard to get a seat there. They didn’t even take reservations. After the Times article, it was very hard to get in. There were weeks when I could not get a spot at the bar.  It got so busy they went with a reservation system. It slowed down a bit, but it was always popular.

Until the pandemic occurred. That was their last life. They tried to pivot to take out, and I did a curbside pickup of a wonderful meal from them. In the end they decided they didn’t want to be that kind of place and closed it down.

Lots of places have gone due to the pandemic. Some of them would have gone regardless. Not Brothers. If there was no pandemic, I am sure it would still be running, still sliding plates of that chewy soft bread and warm mixed olives and perfectly cooked food for me and you to delight in. I am going to miss many places because of the pandemic, but I think I will miss Brothers most of all.

(From more on it, see the New York Times article, or this blogTO piece. Images from the blogTO piece.

Check out their old web site. It’s simple but smart, just the way it used to be.

Finally this Google link will show you a wealth of photos for the place.)

 

From the ridiculous to the sublime, musically, and places in between

Checking out music on the Transbuddha web site the other night, I came across this!

Yes, not only is Jesus your friend, apparently he is also a Mountie. Okie-dokie, then. That’s the ridiculous. (And likely a comedy sketch, but still….)

As I was listening to it, I thought, hmmm…that sounds like Ranking Full Stop from the English Beat. Of course it’s also on YouTube.

While there are some differences, it is very similar! So, first song, very bad. But it got me listening to something better. And checking out that, I started thinking of their good cover of the classic Smokey Robinson and the Miracles song, Tears of a Clown. So I looked it up, and I came across this:

So, from the ridiculous to the sublime in a few minutes.

As a aside, I thought: man, the Miracles were a pretty subdued group of dancers. I did a check on the Pips, the Temptations and even the Jackson 5, and while all those groups were looser than Smokey’s backups, they were still more focused on singing and not so much on (lipsynching and) dancing.

I also think Justin Timberlake stole this look for his “Lovestoned/I think she knows” video. You can see it here:

Feminism and Aliens

I remember when I first watched Aliens, I was taken by how the movie flew by, even at 2+ hours. It was thrilling.
I thought about it later and how well it was made. We had already seen the Alien in the first movie, which was a great cross of the genres of science-fiction and horror films. James Cameron made a different movie by crossing the genres of war film and horror film with Aliens. This was interesting in itself. But he also did another interresting thing: he explored the notions of feminism within the film, or at least, the bonds between mother and daughter. (Just like he explored the notion of Father and Son in Terminator 2.) Cameron is not Renoir or Bergman, but Arnold might not have been joking when during the “Titantic” Oscar he joked about starring in Cameron’s “art films”.

The other interesting thing is the juxaposition between maternalism and the action film genre. The contrast gives the films punch. I am sure Camille Paglia would approve. 🙂 See:

As Andrew Sullivan said, one of the best movie lines ever.

Where Karl Lagerfeld Lives

When I first saw this article in the New Yorker, I thought it was going to be about his apartment in Paris! And in a way, it was. But the subtitle, “In the Now”, describes where Lagerfeld really lives.

I used to have a poor opinion of KL, but after reading the article, I was impressed by his energy, drive and imagination.

See the article here: Profiles: In the Now: Reporting & Essays: The New Yorker

It’s a sad and beautiful world, indeed

The next time you are in a (good) video store, try and rent “Down by Law”. It is smart and funny and very cool. It’s been ages since I have seen it, but it still has stayed with me all this time. It has great lines , great scenes and great music. Check out the trailer for a taste:

YouTube – Down By Law – Theatrical Trailer

Such Great Heights or The Genius of the Postal Service

I have been impressed by this song and the video that goes with it (there is a yearning in the woman’s eyes, and a symbolic Victorian suppressed sexuality to it, I think): YouTube – the postal service – such great height

How great is the video? Well, Apple, who has known to make pretty good commercials, thought it was good enough to steal. The proof is here:

YouTube – Apple – Intel vs. Postal Service

While the video is great, the song is superb too. Here are too very different versions, showing the potential of the song:

Iron and Wine’s Version

Ben Fold’s Version