Tag Archives: Duchamp

Were Marcel Duchamp’s Monte Carlo Bonds the precursor to NFTs?

If you are a fan or even passingly aware of Marcel Duchamp , you likely have heard of works of his: Nude Descending a Staircase to Fountain to Large Glass. They are all well known With the arrival of NFTs on the art scene, I was reminded of another of his works not so well known: Monte Carlo Bonds. As Wikipedia explains:

The Monte Carlo Bonds were a 1924 Marcel Duchamp work in the form of legal documents, created as bonds, originally intended to be produced in editions of 30. The creation of the work came out of Duchamp’s repeated experiments at the Monte Carlo Casino, where he endlessly threw the dice in order to accumulate profit through an excruciatingly gradual process.

The use of an artificial and random process is not unlike using blockchain for NFTs. And while both methods are associated with art, the primary purpose seems to be to generate profit. Duchamp was well ahead of his time.

Christie’s has more on these bonds.

The last works of seven famous artists

This is interesting and something I’d like to see more of: the final works of famous artists. At Artnet.com they have at least seven of them: the Poetic, Heartbreaking Final Paintings of 7 Famous Artists, From Salvador Dalí to Marcel Duchamp.(They kinda gush a bit in that title. :))

Here is the last one from Dali:

That is interesting in itself. (Dali is always interesting.) But what makes it more interesting to me, as someone interested in the form of mathematics known as catastrophe theory, was that Dali was interested in and and inspired by it too. As artnet explaiins:

During the last years of his life, Dalí became obsessed with the mathematical catastrophe theory developed by French mathematician René Thom, who suggested that there are seven “elementary catastrophes” that occur: fold, cusp, swallowtail, butterfly, hyperbolic umbilic, elliptic umbilic, and parabolic umbilic. This painting, with its generous curves and sharp edges, mimics these catastrophic events in black lines painted atop what appears to be a crinkled white sheet of paper. The organic curves of a cello appear to one side along with, perhaps as a reference to his own famous facial feature, a handlebar mustache…