If you love art, but believe you have to have tons of money or an art history degree to have an art collection, then take a few minutes and watch the above videos from the good people at art interiors (two of whom are in the video). After watching it, you’ll feel it’s something you can achieve, I’m sure.
Next step? I recommend a visit to their site and store to see what they have that suits you.
I am always on the lookout for links to Gerhard Richter, one of my favorite artists. Here are two good ones:
- An oldie but goodie: images from the show, Gerhard Richter: Panorama at Tate Modern – in pictures | Art and design | The Guardian.
- How to paint like Gerhard Richter ▶ How To Paint Like Gerhard Richter – YouTube.
Michael Massaia spends his sleepless hours haunting NYC and Central Park, taking incredible photos. This is just a sliver and doesn’t do his photos justice:
If you can’t sleep and want to see what one person can do in the sleepless hours, see, Haunting images of New York City’s Central Park from Michael Massaia. His photos are great.
It’s not a hoax: there is a gargoyle on a 13th century abbey that looks like something out of Alien. Seems the old gargoyles were falling apart and artisans were recently brought in to make new ones…and well, someone took a few liberties.
All of the new beasts attached to the abbey are excellent. You can see more of them, and more of the story, here: ‘Alien’ gargoyle on ancient abbey from BBC News
These paper sculptures by Wolfram Kampffmeyer (aka Paperwolf) are gorgeous. You buy them and make them yourself. Simply go to Etsy, here, and order a from a range of different animals, sizes, and prices. Great gift idea, too.
If you want to see more of them, you can also check them out here: DIY Geometric Paper Animal Sculptures by Paperwolf. Not surprisingly, from Colossal.
Cartoons! Well, there’s more to it than that, as this fascinating post shows: The secret to great Renaissance art: tracing (Vox).
I knew Renaissance artists did sketches: I didn’t know that they used them as stencils. In hindsight, it makes sense: to make such great paintings, it is best to work them out in detail first and then focus on paint.
This 1966 interview, in the Paris Review, is a must read for fan of the writer Jorge Luis Borges.