Here are two good pieces full of advice for artists.
One big: Advice to Young Aspiring Artists from Patti Smith, David Byrne & Marina Abramović | Open Culture
One small: None of us know what will happen – Austin Kleon
Key quote from the Austin Kleon piece is this, from Laurie Anderson:
The world may end. You’re right. But that’s not a reason to be scared. None of us know what will happen. Don’t spend time worrying about it. Make the most beautiful thing you can. Try to do that every day. That’s it. You know? What are you working for, posterity? We don’t know if there is any posterity.
(Image from pexels.com)
That photo above is just one of the many photos over at Via Colossal of Venice at night. Far removed from the tourist busy city of day. Well worth visiting Colossal to see the rest.
Your city should be so lucky as to have Jim Bachor filling your potholes with amazing mosaics such as this:
For more on it, see: Mosaic Vermin Invade New York City as Part of Jim Bachor’s Latest Pothole Interventions at Colossal. Also, search from him on Instagram: he posts regularly and he does a wide range of mosaics. And he travels, so maybe your city is next.
A good item to add to your bucket list, if you are a fan of Basquiat: travel the world and see all the places where his works are displayed. To do that, you will need this list: Where to See Basquiat Around the World – Barron’s. And money. And time.
After you do that, you can go see all the Vermeers in the world!
Sounds impossible, but if you go here and watch the enclosed video, you will feel confident you can watercolor too: How to watercolor: In under 3 mins.
That particular post comes from Danny Gregory , who has a great blog for all of us artists. (That’s you too). Well worth reading.
For fans of Anselm Kiefer, there is an in depth discussion of this particular work, here:
Heroic Symbols 1969 by Anselm Kiefer – In Focus | Tate
If you are Philip Glass you can. And likely anyone who has the capacity to make art can as well. It may take you longer, but you can do it. To see how he did it, see this piece: How Philip Glass Went From Driving Taxis to Composing – The Atlantic