Some people may not want to cover their scars: they may not like tattoos or they may be indifferent or even proud of their scars. And that’s fine. But for people badly affected by scaring, this is a wonderful way to recover from that, I think.
See the article for many more photos such as the one above.
Posted onMay 5, 2021|Comments Off on The fascinating history of art in the Oval Office of the White House
The New York Times does a great job of telling the story of The Art in the Oval Office. There’s a good story of how it has evolved from Kennedy to Biden, and the Times does a good job of telling it by using various interactive tools. Well worth viewing.
Personally I like how different Kennedy was than the other presidents. But judge for yourself.
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Posted onApril 16, 2021|Comments Off on Were Marcel Duchamp’s Monte Carlo Bonds the precursor to NFTs?
If you are a fan or even passingly aware of Marcel Duchamp , you likely have heard of works of his: Nude Descending a Staircase to Fountain to Large Glass. They are all well known With the arrival of NFTs on the art scene, I was reminded of another of his works not so well known: Monte Carlo Bonds. As Wikipedia explains:
The Monte Carlo Bonds were a 1924 Marcel Duchamp work in the form of legal documents, created as bonds, originally intended to be produced in editions of 30. The creation of the work came out of Duchamp’s repeated experiments at the Monte Carlo Casino, where he endlessly threw the dice in order to accumulate profit through an excruciatingly gradual process.
The use of an artificial and random process is not unlike using blockchain for NFTs. And while both methods are associated with art, the primary purpose seems to be to generate profit. Duchamp was well ahead of his time.
If you are trying to write or draw or paint, you may be stuck with two problems: being able to make things look “nice” and not knowing what to make. Recording what you know solves those two problems. You know what you are going to make: a recording of what is in front of you. And even if you don’t make a good recording (i.e. it isn’t “nice”), I can assure you years from now you will look at it and say “oh that! I forgot all about that, but I am glad I have a recording of it now!”
Here’s another tip: ask yourself what is something you know that you Love or think is Beautiful. Whether it’s a place or a person or a thing or even a time of day, record that. When you see it, you won’t think the lines aren’t great or the colour is wonky: you will see the Thing you Love or think is Beautiful. Others will think it too.
Here’s a final tip: record something of your era. Include something fashionable, or technology, or anything that is not long lasting. Years from now it will be fascinating to your or others. “Look at that old phone”, they’ll say. Or “look how cheap everything is”, or “look at that dress”. You get the idea.
Sure you can take a photo, and it may be a good photo. But put some creative thought and effort into it. Your art will get better, and the work you produce will be better.
(Image is a link to the article in My Modern Met.)
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Posted onMarch 4, 2021|Comments Off on More goodness from the 80s
Here at this blog I will always share my love of the 1980s.
First up, here is a great piece in the New Yorker on a recent Whitney art show which highlighted the Joy of Eighties Art. It’s begins great:
Starting in the late nineteen-seventies, young American artists plunged, pell-mell, into making figurative paintings. That seemed ridiculously backward by the lights of the time’s reigning vanguards of flinty post-minimalism, cagey conceptualism, and chaste abstraction. The affront was part of the appeal. As with contemporaneous punk music, sheer nerve rocketed impudent twentysomethings to stardom on New York’s downtown scene. The powerful excitement of that moment has been languishing in a blind spot of recent art history, but “Fast Forward: Painting from the 1980s,” at the Whitney, a show of works by thirty-seven artists from the museum’s collection, comes to the rescue. Some of the names are famous: Julian Schnabel, David Salle, Eric Fischl, Jean-Michel Basquiat, Keith Haring.
I loved reading every word of that. A great review.
Other 80s things I found recently is this here ode to a great album of the the early 1980s: Rattlesnakes from Lloyd Cole and the Commotions.
Saxophones don’t feature on that recording, but they did on many other great recordings of the 1980s. Gradually they died off. Here’s a good piece exploring that.
If you still have music from that era, chances are some of it is on a cassette tape, which was big then. If you suddenly have the urge to listen to that, you can, with this player (shown below at Uncrate.com). It’s not the original Walkman, but in some ways it’s better.
(Top image is David Salle’s “Sextant in Dogtown” (1987).Courtesy David Salle / VAGA, NY. Linked to in the article. Bottom image is from the uncrate.com article)
At the Brooklyn Museum they had an exhibit of Basquiat’s notebooks. They wrote:
A self-taught artist with encyclopedic and cross-cultural interests, Basquiat was influenced by comics, advertising, children’s sketches, Pop art, hip-hop, politics, and everyday life. Basquiat: The Unknown Notebooks emphasizes the distinct interplay of text and images in Basquiat’s art, providing unprecedented insight into the importance of writing in the artist’s process. The notebook pages on display contain early renderings of iconic imagery—tepees, crowns, skeleton-like figures, and grimacing faces—that also appear throughout his large-scale works, as well as an early drawing related to his series of works titled Famous Negro Athletes.
If you have someone who is interested in making their own art, encourage them to check it out too. Seeing Basquiat’s notebooks can remind them that even with humble materials, the potential to create something great exists.
The format of my blog since the beginning has been to point at things by writing about them. I’d estimate over 90% of my posts are me pointing at other parts of the Internet and saying why they are interesting. Even this post is about pointing at someone else’s post about pointing at things.
Pointing at things is an old tradition of the Internet. There is far too much information on it and often the only way of finding something useful is for someone to point it out. The best pointers often garner the most attention.
I hadn’t thought before to apply the idea of pointing to other creative forms. I somewhat do that on Instagram. Now I want to try and do it elsewhere.
Start pointing at things! Then tell people why you are. Everyone will benefit.
That is interesting in itself. (Dali is always interesting.) But what makes it more interesting to me, as someone interested in the form of mathematics known as catastrophe theory, was that Dali was interested in and and inspired by it too. As artnet explaiins:
During the last years of his life, Dalí became obsessed with the mathematical catastrophe theory developed by French mathematician René Thom, who suggested that there are seven “elementary catastrophes” that occur: fold, cusp, swallowtail, butterfly, hyperbolic umbilic, elliptic umbilic, and parabolic umbilic. This painting, with its generous curves and sharp edges, mimics these catastrophic events in black lines painted atop what appears to be a crinkled white sheet of paper. The organic curves of a cello appear to one side along with, perhaps as a reference to his own famous facial feature, a handlebar mustache…
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I first came across Celmins work at a large exhibit recently at the AGO and was so blown away by it. I love the detail and the abstaction of her art. You can get really lost in just one of her works. I know I did when I saw them. I think you will too.
I was doing some research on her and I found these articles to be good. If you want to learn more about her, check them out:
This is a smart reuse of old VD posters to warn against the dangers of a new biological thread: COVID. Via The Daily Heller:
Adrian Wilson, provocateur par excellence, recently revisited a vintage poster prevention campaign against VD used during World War II, and remixed the various messages into a current cautionary attack on CoViD-19. This genre of repurposing images and words is not new or novel, but when accomplished satirically and wittily, as Wilson has done below, it can be an effective public messaging tool.
For more of Wilson’s work, click on the link above. It’s great.
I’m always struck whenever I see the works of Betty Goodwin. They have a distortion that reminds me of Francis Bacon, and there is sometimes a threat implied with them, the way Bacon’s work does too. But Goodwin is her own artist, and if anything she has a greater range than Bacon does. This is not to strictly compare both artists, for they are both great in their own way. It is just meant to highlight how good I think she is.
If you want to see more of her work, you can go the National Gallery of Canada, here. The AGO also has some of her work and had a fine exhibit on her in 2019. You can read about it here.
Come January 2021, here’s to dumping John McNaughton and his terrible art into obscurity for all time. If you don’t know who he is (he’s the guy in the above photo), you can read more about him here. Better yet, don’t.
I am not sure it is better, but here’s an image of Trump made with sex toys.
I had some other things to say about Philip Guston until this article came out in the Times, saying:
Last week, a handful of museums decided to postpone a retrospective of the painter Philip Guston over concerns that Ku Klux Klan imagery in his work, intended to criticize racism, anti-Semitism and bigotry, would upset viewers or that the works would be “misinterpreted.”
I was disappointed, to say the least. Fortunately I am not alone. The article goes on to state:
On Wednesday, a letter drafted by the art critic Barry Schwabsky addressed to those museums — the National Gallery of Art in Washington; Museum of Fine Arts, Boston; Museum of Fine Arts, Houston; and Tate Modern, London — and signed by nearly 100 artists, writers and curators, was published by the Brooklyn Rail, protesting the postponement. To date, more than 2,000 names have been added — young and old, Black, Asian, Persian, Arab, L.G.B.T.Q.
So I am collecting a list of sites and pages on Guston, because he is an artist people should get to know more about. Especially if they were to simply mindedly misinterpret his work and think he has anything but abhorrence for the KKK.
I am also doing this because I am a fan of his courage as much as I am of his work. He made a big break from abstract expressionism late in his career and suffered for it. I don’t know many artists who have done such a thing. I think he needs to be more well known.
I also find it surprising to think people were surprised by this big break with AbEx. The elements he reintroduced were there from the beginning. And the cartoonish nature of his work is parallel to the drawings he was doing of Nixon and others. He needed to break from AbEx and went with the tools he had.
If you want to learn more about Guston, here is some links I have found that are useful:
Here are two good pieces on Richter for fans like myself. First is a good look back at when he first started painting. Second is a write up of his recent work, seen below. It’s the second time Richter has done a stained glass work for a church, and it is both similar and yet different from it. (You can see that one, here.)
Reading both pieces, I am reminded of how long Richter has been working and how much great work he has produced and continues to produce. He has long been one of my favourite artists, and I am glad he is capable of still doing great things.
He says this work shown is going to be his last big work. Let’s see. I’ll be glad for anything he can make now and in the future.
Posted onSeptember 20, 2020|Comments Off on The Best Street Photographers of All Time – a visual feast
If you want a visual feast, head over to this link to see the best street photographers of all time. Truly remarkable. I kept expecting they would miss someone, but it seems like a comprehensive essay on the best of the best. (Like Berenice Abbott, whose work is above.)
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The US Postal Service has issued commemorative stamps for the great American artist, Ruth Asawa. If you don’t know much about her (I did not), then I highly recommend this piece.
She lead a storied life, and overcame great hardships on her way to becoming the artist and the person she was. That sounds trite, but it’s true.
One of my goals has been to learn more about women artists, artists who have often been overlooked but should never have been. That goal has lead me learn about artists such as Asawa. I recommend you do, too.
I’ve read a number of books and other pieces on DaDa and I always felt that she never gets enough recognition for the fine work she did. I’m happy to see she is getting it here. If you want to learn more about her and her work, follow the link.
July, 2021: Update. The Tate has a show on here. Details, here. Good to see there is still interest in this great artist.
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Mary Pratt is a master of colour and light. You get a sense of that just from this photo of her, and if you have ever seen her paintings, then you already know that. I have been studying her painting recently, and in search of more information of her, came across this great piece in Canadian Art. She passed away in 2018, but her art will live on long after this decade or even century has passed.
If you aren’t already a fan, I recommend knowing more about her and her work. That linked article is a good starting point.
Some good links on the art of the 1980s, of which Basquiat and Haring played a big part, here and here.
Most of the time the links I post are mostly because I want other people to know about them. Links that talk about my youth are mainly for me. 🙂 But fans of either painter or art of that time should click through.
Painting above by Haring in tribute to Basquiat. May they both RIP.
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It seems every year the website Artsy puts together a list of artists who were recently influential. The lists are always interesting, mixing artists you likely heard of (e.g., Jeff Koons) and others you may hear more of. It’s a great way to find out what artists are making a difference right now.
I had not heard of Mrinalini Mukherjee before. (Not that I even pretend to know everything about the current art world.) But I am glad to have discovered her for myself. Go here and learn more for yourself: The Most Influential Artists of 2019 – Artsy
(Image about is of Mukherjee and a featured work of hers.)
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I’ve always loved and admired JFK’s Official White House Portrait. I found it intriguing, too. After reading the “Story of Aaron Shikler’s Posthumous Painting of John F. Kennedy”, I found it even more so. Fans of the work or JFK will want to read that piece.
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