Is the TTC architecture bad? It’s something I have been thinking about after the critical comments from “A.R.” in which he pointed out that: “Toronto has some interesting subway architecture, as well. you know. Maybe you should appreciate some of the creativity in the system” in response to my comment that “Toronto subway stations…look like washrooms without the necessary plumbing”.
I think alof of Toronto subway architecture is, if not bad, then boring. In this blog post I found, David Ahm from the TTC agreed, saying, “The Yonge-line stations are from the ’50s and ’60s and are functional but kind of boring.”
This blog post with Ahm’s comments were interesting, because you see the challenge of designing a subway station, budget being one serious consideration. But that doesn’t mean there can’t be interesting design work done on a subway, and in fact, lots of Toronto subway stations are well designed. And despite limited budgets, the TTC is looking to have better and better stations in the future, which is a good thing indeed.
Of my favourite stations, the ones I most like are Old Mill, Rosedale, Yorkdale and Dupont. I like the openness of Old Mill and Rosedale. They belong to the neighborhood, somehow. I feel like I am in a different city when I am waiting for a train (or a bus) at the Rosedale station. And I love the windows of Old Mill. Perhaps it is no coincidence that they are both above ground subway stations.
I also admire the design of Yorkdale and Dupont. Yorkdale makes the subway system itself seem dynamic, while Dupont is like an experiment in subway station design.

I like other stations too, like Queen’s Quay, Museum and St. Andrew and St Patrick. Of the latter two, I like the “tube” like design of the tunnels. It reminds me of a European subway station.
One thing I really like about the TTC is their choice of artwork. It is a collection of some of the best Canadian artists, from Charles Pachter to Joyce Wieland to Micah Lexier. And the scale of the work is striking, whether it is the 1.5 million one-inch tiles, used by Toronto artist Stacey Spiegel to create Immersion Land or 3000 handwritten samples that Lexier collected over 5 years to create “Ampersand”. Anyone visiting Toronto should stop at various stations just to see it. (You can get a sample of it all by going to http://en.wikipedia.org/wiki/Toronto_subway_and_RT)